C / 私影史目前視聽(tīng)最招搖的恐怖片。聲音的動(dòng)靜勢(shì)能、長(zhǎng)鏡頭對(duì)空間層次的挖掘或許是最令人驚喜的部分。相比之下最突出的色彩反而對(duì)真實(shí)感造成了最大程度損壞:所謂“風(fēng)格”完全遮蔽了心理與現(xiàn)實(shí)的界線,而這層屏障被直接抹除后神秘感便大打折扣,電影也反而變得更像燈光秀了。真的覺(jué)得《霓虹惡魔》好看很多……
擅長(zhǎng)摸魚(yú)的小花:61.232.138.251
Mizoguchi employs his trademark graceful and meditative camera style, especially gliding long takes, in checking against ambition, greed, and the iniquity of patriarchal society. A towering masterpiece with quiet intensity and emotional subtlety.
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